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Closing:Guest BookBrowse through the notes below and see what other visitors have had to say about ReasonToRock.com. Due to the high levels of spam that have been polluting this page, I have closed the guestbook to further entries on December 7, 2005. If you'd like to send a private note, a feedback page is still available. If you are worried about trusting me with your contact information, then please read my privacy policy. — Herb Bowie
I've been describing Layla as shimmering all these decades, and when I found the same word in your book, I was hooked. Your language and insights are extraordinary, and I look forward to using your site as a reference for my senior English students when we study poetry this coming school year.
Herb, congratulations on a great site! I found it when looking for some info about Bob Dylan. (I was reading a newspaper article about the impact of "Like a Rolling Stone" that failed to mention what the song was actually about. I hope the fact that I'm 26 and didn't grow up in that era will excuse my ignorance/rock blasphemy!) I'd just like to thank you for all of your insightful work. I particularly enjoyed your pieces on "White Room" and "The Kinks" which have reminded me about the magical lyrics that are works of art alone. I'll be listening more attentively from now on!
Fascinating ..the selection of best artists and songs was very good...even more fascinating was the analysis of the songs and their structure. Since about 80% of the artists were amongs my personal favourites I was able to conclude the few I had not heard of must be worth looking up.
Hello Herb,
I found your webpage about Jimi Hendrix's song "All along the Watchtower", while looking for the lyrics of that song. It's a great page! But I miss something specific about this song: as many, you overlooked the fact that it's writen as a sonnet. The song is built up out of 12 lines grouped into 4 verses: 4 - 4 - 3- 3 lines, with rhyme scheme: aabb aabb cdc cdc. The change in the song everyone finds is located between the first two and the second two verses, as it should be in a sonnet.
This is a great book, especially for us of about your age, I'm close to it at 50, so have been listening to some of this music for many years. I first read it about 18 months ago and have come back to it several times and thought about it many more times. It has shown me some new artists and greatly expanded my understanding of some classic great songs. While I've always loved "Turn the Page", "Along the Watchtower", and some others you've written about, your interpretations have taught me much more about them than I could have understood by myself.
Thanks,
George
I've been trying to find a site like this for years. You've made me appreciate Rock and Roll all over again, and to me there's no greater gift than that. Thank you.
Went looking for the chords and lyrics to Cream's "White Room," and stumbled over your site. Wow! Your insightful commentary led me to explore further, and yes, they were all there: Kinks, Stones, Hendrix, etc. I grew up during those times, and I'll buy the book. — Dave, whose heart beats to 4/4 time
I'm Diane from the University of the Phillipines. I just want to show how much I appreciate the author of this website cause the contents helped me a lot in my report in my Humanities Class about the art in rock: I was really blessed to come across this site ... more power to the author.
Excellent writing about Bruce Springsteen. You've captured his brilliance perfectly. Thank you for saying it so well.
Great website! There are so many songs I listen to that drive me to search out more information about them on the 'Net. But all I find are lyrics pages, with little appreciation for the themes of the track like I find on this site. Keep it up! It's interesting how many of us were drawn to your site because of our desire (need?) to comprehend the symbolism of All Along the Watchtower. Count me among that number. Your interpretation seems right on, especially the references to Dylan and businessmen. Indeed, could the Thief have been a businessman, too, or even perhaps Dylan's agent acting as a guide through the world of commercialism? Your other essays are just as entertaining, and I hope that you will continue your endeavors by adding new classics. Your inclusion of audio clips is brilliant, and takes me back to seventh grade when my teacher tried to instruct us in classical music by playing short snippets of instrumental masterpieces from warped, but still cherished, vinyl spun on an old turntable. Another theme that I see in your work is one that every aficionado of great rock and roll preaches: all music is connected. One of the joys of rock is to listen to one song, then immediately crave another that connects because of similar subject matter, or because one of the band members played in another group, or because a cherished memory is brought to the fore, or because... whatever.
Thanks again for a very special website.
Please let me know when your book is published. There will be a book, no?
Wow! Just got started with "White Room" and I am very impressed. I'm not a musician or writer, just a tremendous admirer of both. I've always had a very difficult time interpreting poetry (and even "simple" song lyrics), but have great admiration for those who can. Thanks for sharing... and rock on!
I absolutely enjoyed the Bob Seger article. I have been a huge fan of this man's music for years.
I've been a rock and roll fan for a long time, and I had not read an article so illustrative as this. It has expanded my vision and knowledge of rock as an art form. Now I can say I enjoy even more (if that's possible) listening to this precious music.
Great work on this site. Very well done. Thanks.
Hello
Visitors to this great Reason To Rock website may be interested to know that Bo Diddley, one of the founding fathers of rock & roll and the popularizer of the world-famous "Bo Diddley beat", has just launched his new website and online store. The site, which with typical idiosyncrasy he has named "Bo Bo Diddley's Turnup Root", is located at http://www.turnup-root.com/
I loved the article on All Along the Watchtower. I was curious whether I could find something online that would help me gain some insight, and I actually found something that did. Thanks!
Derek and the Dominos and their only album has to go down as one of the best. I was at Madison Square Garden for Cream's final concert in 68 and have followed Clapton since. You're website gives credit to a great group of under-rated musicians. Thanks.
Wow. I never thought I'd see a good explanation of All Along the Watchtower. I didn't even think it was possible until now! This site is most excellent.
Excellent site! I enjoyed it very much. :-)
You've got some great background stuff on the gods of rock 'n roll. Thanks loads!!!
Great work. Excellent site! Keep up the good work! http://www.eastsideboxing.com/ — Vadim Nemov <nemov2@yahoo.com> Vladivsotok, Russia - Friday, September 27, 2002 at 08:04:14 (EDT) All Along the Watchtower; I am a professional musician (I program computers so I can eat) and played the song for years, but never understood it. Great site! Loved this site, think you are a genius. I often feel that today's music has lost its purpose, but then I wonder what the purpose was to begin with. In search of the answer to this question, I found this site and am so glad. It has given me a new appreciation for and understanding of true art (film, poetry, and of course, music). Thank you.
This is a great site and looks like an excellent book!
As you mentioned in your introduction, quite a bit of this information has been covered in other sources, but you have synthesized them well, and the presentation is appropriate for almost anyone, in that experienced listeners and neophytes alike will be able to gain insight and understanding from your well-written prose. Very well researched, very well referenced... as a musician, producer, music journalist, and educator I am very, very impressed. I would love to use this material with some of my students-- is a hard copy of the book coming out? When will it be available, where, and for how much? If it is, you've made one sure sale already...
I just wanted to tell you that "Reason to Rock" is one of the best music sites I have seen in quite a while. I am very glad to see an internet site that is taking rock serious as an art form, and studying it closer, without just mentioning plain facts. It is very nice to see enthusiasm over a music that has changed many lives.
Keep up the good work. It is much needed.
Yours sincerely,
I discovered your site while searching for lyrics for All Along the Watchtower. As I'm uneducated and very ignorant of symbolism in literature, I found your analysis of the lyrics to be amazingly eye-opening. It doesn't change my instinctive feeling about the song, but it expands my intellectual appreciation tremendously. Additionally, the way you describe Hendrix's rendition is also generous food for thought. I have some questions about the meaning of the lyrics: is the joker actually supposed to be someone who sells wine and hires plowmen? I'd never given it any thought, but I had felt the joker was talking about insensitive people taking things from him and destroying what was valuable to him. Plowing the earth represented destruction of nature. Otherwise, why isn't the character a peasant farmer or some such? The lyrics suggest that the joker is past the frivolity that his moniker implies, but it's still hard to imagine he could be so established as to be a vintner. And why would he denigrate plowmen - men who work for him - anyway? You also say that the two riders approaching are the joker and the thief, but if the joker is looking for a "way out of here", then isn't he going in the wrong direction? Doesn't his confusion imply a kind of powerlessness that would prevent heading for a confrontation? I hope my points don't seem silly. I don't want to over interpret the lyrics, just make sense of them. Blame yourself. :)
Anyway, I plan to consume your entire site - which looks great, and I
completely agree with your purpose of validating rock as an art form. I
didn't quite realize that no one has done this - it's way overdue.
Herb's response: Thanks for your comments. Glad you are enjoying the site. I should explain that I don't believe in the absolute accuracy of any particular literary interpretation -- although I do believe that we can distinguish and often agree on better or worse interpretations. The questions I most often ask myself are: What intellectual interpretation best resonates with the emotional impact the song has on me? What makes the most sense in the context of the rest of the song, the rest of the artist's work, and the artist's life? You ask some good questions. In regards to the reference to the plowmen, I don't necessarily see them as destructive, so much as insensitive. I recently re-watched the Dylan documentary "Don't Look Back," and it now strikes me more than ever that the joker is an image for Dylan himself. Dylan at that time in his life was very much playing the role of the joker: he wouldn't give straight answers to any question, he was always avoiding literal, logical, official interpretations of his work and his intentions. In the context of the song, I think the term "joker" is being used in the traditional sense of a jester or trickster, rather than a more modern sense as someone who jokes around. The role of the joker, like that of the artist, is to show his audience alternate views of reality. In this context, the plowmen could simply refer to people who are working for Dylan. These could be roadies, workers in the hotels where he stayed -- even the members of the Band were on retainer to Dylan for a while, so that he could use them whenever he wanted. And there is nothing insulting about the reference to them -- all he is saying is that the people who work for him don't fully understand what "any of it is worth." In terms of the riders approaching the castle, I think that the "here" the joker is seeking a way out of is a state of confusion, not necessarily a geographical location. And so heading toward the castle -- and a possible confrontation with authority -- could well be a way out of the confusion and meaninglessness that he has been experiencing. I hope this helps some. And again, thanks for your thoughtful note and your support. Phil's response: Thanks for your reply. It underscores what I have to learn about how to think about literary symbolism. Meanwhile it occurs to me that the details aren't as important as the gist of the words, and that perhaps even Dylan himself didn't define things exactly.
Just wanted to say I loved your breakdown of All Along the Watchtower- The scripts for this guest book were created by Matt Wright and can be found at Matt's Script Archive.
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